Parents And Peers A Child Who Is Deaf Or Hard Of Hearing...

Parents and peers play an important role in the holistic development of a child who is deaf or hard of hearing (DHH). Even the progress of the listening and speaking or sign language skills of a DHH child is heavily dependent on the consistent involvements of the child’s parents and peers. The more engaged a DHH child is in his/her day-to-day communications and interactions with parents, peers, and even siblings, the more adapting they become in listening and speaking or signing. Hence, it is no wonder that the child’s teacher always supports, first and foremost, the establishment and development of family and peer relationships to sustain their involvements. The quality of parental involvement in the life and development of a DHH kid depends largely on the parents’ adaptation to the situation. Following are factors affecting family adaptation: marital harmony; single-parent families; step-parenthood; family size; birth order; sex and age spacing of the children; economic status and its constancy; parental employment; coping strategies; expectations of self and others; temperamental match between parent and child; styles, values, and beliefs about rearing children; style of communication; approaches to problem solving; types of acute and chronic stress; adaptability to change; what ‘difference’ means to the family; support system within the family; and previous exposure to hearing impairment and other disabilities (Gustafson, n.d.). It is apparent that most of the factorsShow MoreRelatedThe Difficulties of Hearing Loss in Education Essay996 Words   |  4 Pageshave something in common: Whoopi Goldberg, Pete Townshe nd (lead guitarist of The Who), Huey Lewis, Helen Keller, Ludwig Van Beethoven, and Thomas Edison. If you were unable to guess, all of these people had a hearing loss. In terms of formal definition, a hearing loss is, â€Å"a spectrum of disorders causing a disruption or distortion of auditory information reaching or being processed by the central nervous system.† Hearing losses not only effect adults or the elderly, they are also prevalent among childrenRead MoreDeafness And Other Communication Disorders Essay1761 Words   |  8 Pages1,000 children in the United States are born with hearing loss in one or both ears. (Quick Statistics About Hearing, 2016) Children who have impaired hearing face a unique set of challenges, and as with many disabilities, early intervention is vital to their success both academically and socially. There are a few different categories of hearing loss in young children. Damage or obstruction to the outer or middle ear results in conductive hearing loss. This damage is usually treatable but can haveRead MoreMicrotia2489 Words   |  10 PagesMicrotia, a hearing disability SOC 313 Social Implications of Medical Issues August 31, 2012 What is Microtia? Microtia is an ear deformity where â€Å"one ear is affected (unilateral Microtia) but in about 10 percent of cases, both ears are affected (bilateral Microtia). Approximately one in 6,000 to 8,000 babies are born with Microtia. â€Å"(Cedars-Sinai, 2012) Microtia atresia â€Å"is absence or underdevelopment of the ear canal and middle ear structures†(Burt,2011). Microtia normally presents its

The Poem The Sea Breeze - 1348 Words

The sea breeze was gentle, yet rough, striking me with a force that knocked me to the ground. My mother chuckled to herself and helped me back to my feet; she always has my entire life. â€Å"Oh Proserpina,† she proclaims jokingly, my mother is a goddess, one of many in the Greek Pantheon of Gods. I am her daughter, a demi-god some call me. But I don’t like to act like one; I play with the other kids in the village like any other kid; No one treats me differently. But my mom always wants me to embrace who I am and don it proudly, I already do but I don’t want to rub the fact that I am a 14-year-old Demi-goddess who is basically immortal and my mom could crush the village effortlessly. Regardless of that power, I just wish to remain humble†¦show more content†¦Ã¢â‚¬Å"You’re very scared for a goddess,† he exclaimed. I ran even faster. â€Å"You shouldn’t be so scared of me; I am here to help you.† At this point I could not run an ymore, I collapsed and he stood over me. â€Å"Proserpina,† he signed and paused. â€Å"I have been waiting for your arrival for so many years. You are the light to my world and people and we need you, more importantly, I need you.† I stood there and was in awe at what he had said, I was so confused one what he meant by his world and people. â€Å"Who are you?† I blurted out. His look gave me reassurance that he looked upset that I didn’t know. â€Å"I am Pluto, god of the underworld and keeper of the hell.† My eyes widened, Pluto was who my mother hated the most. He was evil and deceitful. But he didn’t seem too bad; I don’t know why my mother hates him. I stood up and looked up into his eyes; I was expecting fire and evil. But they were a beautiful green. His stood as if he was defeated, his head facing the ground. He seemed to almost genuinely care about me and wanted me to join him. I knew I could not; what was I to do? â€Å"Mr. Pluto, I cannot go with you to your world. This is my home and people would miss me and I have a duty to fulfill in this world.† I told him bowing. I look up to see him glaring at me so intensely to the point his eyes were so lifeless. With one swift swoop he grabbed me off my feet and carried me to the horse. I screamed and flailed around hoping anyone nearby could help me, but no one came. He put meShow MoreRelatedTo Helen by Edgar Allen Poe Analysis Essay1727 Word s   |  7 Pages oer a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo, in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand, Ah! Psyche, from the regions which Are Holy Land!† By Edgar Allan Poe â€Å"To Helen† by Edgar Allan Poe is a poem about a man speakingRead MoreAnalysis of I wondered Lonely as a Cloud by William Wordsworth1309 Words   |  6 PagesWordsworth (1770-1850) I Wandered Lonely as a Cloud I wandered lonely as a cloud That floats on high o’er vales and hills, When all at once I saw a crowd, A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance The waves beside them danced; but they OutdidRead MoreAnalyse the poem The Eolian Harp by Samuel Taylor Coleridge and comment on the poetic form and language used and the way they contribute to the meaning and effects of the poem.1716 Words   |  7 PagesColeridge, can be described as the musings of a man thinking about his love for his wife Sara, the beauty of nature and about the wonder of God in providing him with both nature and Sara. The voice of the poem is Coleridge himself as it refers to Sara, his wife at the time of writing. It is a Romantic poem as it deals with a mixture of traditional Romantic themes: those of strong feelings, the importance of the imagination and the idea of the sublime, and the natural world. The Eolian Harp is writtenRead MoreAs the saying goes no good deed goes unrewarded. Coleridge, in his poem The Rime of the Ancient600 Words   |  3 PagesAs the saying goes no good deed goes unrewarded. Coleridge, in his poem The Rime of the Ancient Mariner, tells a story that no evil deed shall go unpunished. For every action there is an appropriate consequence equal to or greater than the original action. In the poem, The Rime of the Ancient Mariner, Coleridge explains this through the crime committed by the ancient Mariner and the consequences forced upon him for his actions as seemed fit by the spiritual world. The albatross had flown toRead MoreThe Relationship Between Nature and Love in The Aeolian Harp by Samuel Taylor Coleridge1725 Words   |  7 Pagesmodern critics. The poem has many different readings, all of which are justifiable. The Aeolian Harp was composed on August 20, 1795. This was a short period when Coleridge was happy in his approaching marriage (Harper). SARA is the young lady he is supposed to soon marry. Throughout this poem Coleridge speaks to his wife (Wayne 73) showing his undying love for Sara in relation with nature. The Aeolian Harp is definitely a honeymoon poem in that it celebrates Read MoreThe Romantic Period : An Explosion Of Artistic Energy From 1790-1820 Essay1160 Words   |  5 Pageshis writing, and his poems tended to be long and very descriptive. Being raised in a religious household, Coleridge maintained his spirituality throughout his life so a lot of his poems revolve around religion or have religious undertones. †As a political thinker, and as a Christian apologist, Coleridge proved an inspiration to the important generation after his own† () He is to this day considered one of the most influential literary theorists. One of his shorter poems, â€Å"This Lime-Tree BowerRead MoreAnalysis Of Annabel Lee878 Words   |  4 PagesAnnabel Lee? The poem â€Å"Annabel Lee† was written by Edgar Allan Poe in May of 1849. The poem speaks of a woman named Annabel Lee who gets sick, and passes away at a young age. The speaker of the poem talks about how he loves Annabel Lee even now after she has died. Annabel Lee is also from a rich family who does not like the speaker. The poem seems to take place in a town close to an unnamed sea. Throughout the years there have been speculations on who Poe is writing about in this poem. Some think itRead MoreEssay on Romantic Era: Time of a New Time1656 Words   |  7 Pagesnever stops and appreciates the subtleness of nature.† They began to sit and appreciate the unappreciated and look at things that were in front of our eyes that we just never stopped to look at and pay attention to. Just a little rose or a beautiful breeze. Even the blue sky or a flittering butterfly. Green grass and all the things that are unappreciated. These men began to see that as a child you are brainw ashed to see things in life as others want you to see them and little things an innocent childRead MoreThe Burning Of The Houses Of Parliament By Samuel Taylor Coleridge1691 Words   |  7 Pagesthus, a sharp and frosty night, on which Coleridge, surrounded by complete utter silence and the warm interior of the cottage where his son lays asleep, contemplates on the dark yet calm, frozen outside world, which evokes his childhood memories. The poem begins in the present on a silent night which is elaborately illustrated through natural imagery, â€Å"The Frost performs its secret ministry, / Unhelped by any wind. The owlet’s cry/ Came loud- and hark, again! loud as before† (Coleridge, Line 2-3). TheRead MoreThe May Swenson Era876 Words   |  4 Pagesand never ending possibilities. â€Å"The Sea† by May Swenson: â€Å"When the sea is calm I wade into her glossy swells† (lines 1-2). These lines are harsh, beautiful, bleak, transcendent, astonishingly eroti c and intimate. Reading her poetry is like drinking a particularly rich sparkling wine, tinged with rare spices. And during reading one of her poems, all one’s senses will be muffled and dazzled before you know it and only left with a bewildered look. The poem, â€Å"The Sea†, was written â€Å"In the last decade of

Lunatics In Midsummer Night free essay sample

# 8217 ; s Dream Essay, Research Paper Shakespeare? s lovers in A Midsummer Night? s Dream and Twelfth Night are madmans. In A Midsummer Night? s Dream, the Moon is the steering force of lunacy in the drama which influences the helter-skelter nature and madness of the characters. The Moon seems to preside over the full drama and is a symbol of alteration. Oberon and Titania, male monarch and queen of the faeries, are one illustration of moonstruck lovers that parallel the subject of changeableness. Oberon and Titania are disputing over the ownership of an Indian male child that Titania has mothered since the male child was a babe. This makes Oberon really covetous. But, Oberon doesn? T aid affairs much with his straying after nymphs and look up toing Hippolyta. This wrangle becomes so intense that it begins to impact the seasons on Earth. Titanium dioxide describes it as: The spring, the summer, The childing fall, angry winter, alteration Their accustomed liveries, and the baffled universe By their addition now knows non which is which, And this same offspring of immoralities comes From our argument, from our discord ; We are their parents and original. Two: I 114-20 The changeless changing of the Earth? s province in the seasons creates pandemonium among female parent nature. In order to work out the wrangle, Oberon wants to learn Titania a lesson by stating Puck or Robin Goodfellow to utilize a charming nectar on her and the Athenian adult male called Demetrius: Bring me a flower ; the herb that I showed thee one time The juice of it on kiping palpebras laid Will do adult male or adult female frantically dote Upon the following unrecorded animal that it sees. Two: I 172-75 In the instance of the two lovers, Hermia and Lysander, they plan to run into by moonshine and elope in Athens. Egeus, Hermia? s male parent, wants for her to get married a adult male named Demetrius whom he thinks is of high stature and is suiting for his girl as a hubby. Hermia is really much in love with Lysander and chooses to straight disobey Athenian jurisprudence and her male parent? s wants by run offing. Hermia? s willingness to put on the line ostracism from her fatherland shows that love can do a individual do irrational things. Helena, Hermia? s friend, was one time the dear of Demetrius and if she can win back his love, so Hermia and Lysander will be free to marry. In an attempt to derive the attending of Demetrius, Helena betrays the secret of her beloved friend when she informs Demetrius that Hermia and Lysander are run offing. This is another illustration of a? moonstruck lover? in Shakespeare. Helena knows that she must maintain Hermia? s secret, but she can non assist but state it to Demetrius in order to acquire him to detect her. Helena? s love for Demetrius could be her the friendly relationship that she has with Hermia but when a individual is so much in love sometimes he or she will put on the line anything. A error made by Puck increases the pandemonium and lunacy in the drama. Puck errors Lysander for Demetrius and jimmiess Lysander? s eyes with the potion alternatively. Lysander awakens and the first individual he sees is Helena. Under the influence of the potion, he instantly falls in love with her. A calamity is created when Hermia awakens from her sleep and finds that Lysander has merely eyes for Helena. A fight emerges among the two best friends when Helena says: O malice! O snake pit! I see you are all set To put against me for your gaiety. If you were civil and knew courtesy You would non make me therefore much hurt. Three: II 148-51 . Puck besides sprinkles the potion on Titania? s eyes doing her to move like a ? lovesick moonstruck? . When she awakens, she sees Bottom who is now an buttocks caput, and she instantly falls in love with him. Even though Bottom is an buttocks caput, the potion hinders her judgement and she is attracted to him anyhow. Otherwise, Titania would surely non be attracted to the buttocks caput, Bottom, at all. In these lines, Titania negotiations of the abhorrent Bottom as a really fine-looking adult male: Come, sit thee down upon this flow? ry bed, While I thy good-humored cheeks do coy, And stick muskroses in thy sleek smooth caput, And snog thy just big ears, my soft joy. Four: I 1-4 The lunacy of this type of love is reflected in the line, ? ground and love support small company today? from Act III, Scene I ( 145-46 ) . Love is blind to ground and sometimes love overpowers ground. Theseus in A Midsummer Night? s Dream reemphasizes the connexion of the moonstruck and the lover, therefore the phrase? lovers are madmans? : Lovers and lunatics have such seething encephalons, Such determining phantasies, that apprehend More than cool ground of all time comprehends. The moonstruck, the lover, and the poet Are of imaginativeness all compact One sees more Satans than huge snake pit can keep ; That is the lunatic. The lover, all as frenetic, Sees Helen? s beauty in a forehead of Egypt. Volt: I 5-11 The moonstruck lovers in Shakespeare? s Twelfth Night besides show the changeableness and lunacy of love. Viola, who is disguised as a immature adult male named Cesario, is in love with Duke Orsino. Viola was shipwrecked and wanted to seek employment with Olivia, but she could non because Olivia did non wish to associate with anyone due to her brother? s recent decease. Viola is employed with Orsino alternatively as a castrate. Throughout the drama, Viola stays true to her intent in assisting Duke Orsino win Lady Olivia? s love. Orsino says that love Acts of the Apostless like a devil and can bust up a perso n? s life in the undermentioned lines: If music be the nutrient of love, play on! Give me excess of it, that, cloying, The appetency may disgust, and so die. That strain once more! It had a deceasing autumn. I: I 1-4 At this point in the drama, Orsino is non in love with one peculiar individual. He is in love with love itself. He uses words such as? surplus, ? ? cloying, ? ? appetency, ? and? deceasing autumn, ? which shows that the Duke is sentimentally in love with love. Orsino exhaustively enjoys giving himself up to the keen delectations of his ain passions, and uses Viola ( Cesario ) to make his courtship of Lady Olivia for him. Besides in that same address, Orsino refers to the metaphor of the sea that he loves: O spirit of love, how speedy and fresh art 1000, That, notwithstanding thy capacity Receiveth as the sea, naught enters at that place. I: I 9-11 The sea is huge and symbolizes Orsino? s capacity for love. The sea is besides mutable, unstable, and invariably switching. At the terminal of the drama, Orsino? s love displacements from Lady Olivia to Viola ( Cesario ) . He has been working up to this. The Fool remarks on the altering attractive force and compares Orsino? s love to that of an opal. An opal is a treasure rock that invariably changes colour harmonizing to the nature of the visible radiation: Now the melancholy God protect thee, And the seamster make thy doublet of mutable taffeta For thy head is a really opal. Two: IV 80-82 Another incident of love doing lunacy occurs when Maria concocts a strategy affecting a missive and Malvolio. Malvolio discovers a missive that says should it fall by accident into the custodies of the writer? s beloved, he should be aware that the adult female who loves him is? above? him, but she begs him non to fright her? illustriousness? : Some are born great, some achieve illustriousness, and some have illustriousness push upon? mutton quad. Two: V 149-50 Malvolio is to have on xanthous stockings that are? cross gartered? to win the love of Lady Olivia. This garb is considered a symbol of a low-class helping individual. Besides, yellow is a colour that Lady Olivia detests the most. Malvolio does these hideous things because he wishes to court the countess, Lady Olivia. In Act III, Scene 4 ( 61 ) Olivia reacts by stating, ? Why, this is really midsummer lunacy! ? Malvolio? s brainsick behaviour of have oning the xanthous stockings besides shows that love is unsighted to ground, and a individual will make merely about anything to affect the 1 he loves. In Act III, Scene I, another moonstruck action done by a lover occurs. The Lady Olivia falls in love with Cesario who is truly the adult female, Viola. When Cesario comes to tribunal Olivia for Orsino one eventide, Olivia tells Cesario that she will non hold him. Then as Cesario is about to go forth, Olivia is funny to cognize what he thinks of her so she tells him to remain. This shows the changeableness and lunacy in Lady Olivia? s character. Surprisingly, Olivia makes a passionate declaration of love for Cesario when she boldly refused to tribunal any adult male because she was in bereavement of her brother? s decease. Olivia says: Cesario, by the roses of the spring, By girlhood, honor, truth, and everything # 8230 ; I love thee so # 8230 ; Nor wit nor ground can my passion fell. Three: I 146-49 Cesario can non reply her supplication for love or the camouflage would be revealed so Cesario chooses to reject Olivia. Lady Olivia is now reduced to the same province as Orsino in footings of his wooing with her. They both pleaded for love and were rejected. Besides, a homosexual love matter occurs between Antonio and Sebastian. Antonio can non disregard his feelings for Sebastian but at the same clip, he is now certain how Sebastian will respond. Antonio would wish to be Sebastian? s retainer but that is non possible because Sebastian daring non take Antonio to Duke Orsino? s tribunal due to the? many enemies? that are at that place. Antonio says that he will ever hoarded wealth his friendly relationship with Sebastian and decides to travel with Sebastian anyway despite the danger. Antonio recognizes the dangers in front if he follows Sebastian to Orsino? s castle, but after the horrors of the shipwreck, hereafter? danger shall look sport. ? This is another illustration of sightlessness and lunacy of love. Antonio knows the dangers of going to Orsino? s castle, but he is willing to make it anyhow because of love. Throughout all of this changeless lunacy and moonstruck love personal businesss in Twelfth Night, the Fool observes the incidents and manages to forbear from being involved in the lunacy. The Fool ever seems to be one measure in front of everyone else in the drama. He saw through Viola? s camouflage before any of the other characters: Foolery, sir, does walk about the eyeball like the Sun ; It shines everyplace. I would be regretful, sir, but the Fool Should be oft with your maestro as with my kept woman. Three: I 40-43 The continual use of? sir? and the accent applied to the word when speaking to Cesario intimations at the Fool? s cognition of Viola? s camouflage. The remainder of the characters in the drama are the Fool? s amusement, and he enjoys watching the moonstruck lovers. In Twelfth Night, Shakespeare shows how cockamamie people can truly be and through the Fool? s position we can detect the lunacy of the love personal businesss and the vagaries of sexual attractive force in the drama. In decision, the lovers in both A Midsummer Night? s Dream and Twelfth Night are madmans and show that love is blind to ground.